Scorched Hillsides and Salted Roots

This project is about climate change. More specifically, it's about the disturbing historical negligence surrounding climate action from businesses and world governments. Intended to be played behind a fictitious live performance of Hozier's Be, this projects blends music, design, and extensive research into a single harmonic piece that aims to give the viewer a glimpse into the apocalypse... and sell Hozier merch at the same time! 
The specifications of the project were that it must be in a timeline format, and the design must be targeted towards a Gen Z audience. In my research, I found out that Gen Z is the most likely generation to be concerned about climate change, and are also the most likely to be experiencing climate fatigue. This project plays into both of those facts, presenting a compelling account of historic climate change without giving the audience a ham-fisted call to action. 

The specific demographic for this project, more specifically, is upper-middle class college-educated (or currently enrolled) 18-24 year-olds, who have a left political lean and have enough disposable income to attend a fairly expensive concert. Keeping those specifications in mind, the content of the video leans a little more inventive and avant-garde. The central statue being obscured for the first half of the video is a tactic to capture and maintain audience intrigue, and the odd experimental lighting of the second half carries that intrigue through all the way to the end.
This project was a real test of my After-Effects skill. I was no stranger to the 3D tools inside After Effects before starting this project, but now we are best friends. I had to dig in my heels to figure out all the acrobatic maneuvers that the statue makes, but I'm extremely proud of how it turned out in the end.

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